The owner of this cafe in a traditional district of Seoul is never shown. But we do discover he likes classical music. To the sound of Franz Schubert, Richard Wagner, or Jacques Offenbach, Hong Sangsoo offers another variation on the recurring motif of all his films – when happens when men and women meet.
A young woman accuses a young man of being responsible for her girlfriend’s suicide. A little later, she pays him a compliment. He stares at the floor, embarrassed. In the middle of the conversation, there’s a whip-pan on to the neighbouring table where a woman is sitting at her laptop. She overhears snatches of dialogue and develops them further. Is she the author of the subsequent relationship portraits in miniature whose stories and themes mirror one other? At times, she gets involved in the plot; at others, characters seek her advice. In this Hong Sangsoo film too, soju, Korean schnapps, is served at the table. At this moment, the camera pans out, capturing a young couple in traditional costume, taking photos of each other. Resignation or a new beginning? In the games that play out between the sexes, perhaps you must sometimes look back before you can move forward.
Kim Minhee (Areum)
Jung Jinyoung (Kyungsoo)
Ki Joobong (Changsoo)
Seo Younghwa (Sunghwa)
Kim Saebyuk (Jiyoung)
Ahn Jaehong (Hongsoo)
Gong Minjeung (Mina)
Written and directed by Hong Sangsoo
Final screening: Saturday, February 24, 10pm. (Zoo Palast)
After a long time away, Yoon-hee returns home from Canada to look after her mother, who has Alzheimer’s. As she smokes a cigarette while waiting for the bus at the airport, she recognises the voice of her love from student days, Jung-soo. The two arrange to have dinner.
Airports are places of reunion and thus point to these two lives in transit, to the feeling of being a mere visitor in one’s own life. As the two walk through Seoul in winter, there is mainly silence, with only a few facts exchanged. Now in their late 40s, they were part of a theatre group when they met and the film succeeds in bringing their lives back to the stage without seeming static or theatrical. It is not grand words, but much more the lowering of eyelids, the nuances of emphasis, the open and reserved gazes, which betray the sense that their lives haven’t gone as they would have liked. Sometimes looking back into the past reinforces the melancholy, sometimes it creates clarity. And sometimes a film needs nothing more than an attentive camera and the director’s empathetic gaze.
Yoo Jung-ah (Yoonhee)
Kim Tae-hoon (Jungsoo)
Kim Moonhee (Moonhee)
Written and directed by Park Kiyong
Final screening: Saturday, February 24, 8pm (Colosseum 1).
A married couple who run a small interior decorating business have yet to get over the death of their son Eunchan, who drowned while trying to save a friend’s life. One day, the boy’s father watches as the surviving boy, Kihyun, is bullied by his friends. He intervenes and befriends the seemingly rootless boy, and gives him a job in his store.
This directorial debut looks at how grief works. As the three protagonists paint, put up wallpaper, and cook together, everyday tasks become a matter of course once again, and the three develop a shared rhythm; they could almost be mistaken for a family. But the closer the trio becomes, the guiltier Kihyun feels. Finally he confesses the truth about Eunchan: he was not the noble saviour everyone believes him to have been. Sadness curdles into a desire for revenge. But the film retains its calm, and its hugely focused visual compositions provide space for all kinds of emotional outbursts. The provincial setting, precisely drawn, becomes a stage where questions of vengeance and atonement are played out.
Choi Moo-seong (Sungcheol)
Kim Yeo-jin (Misook)
Seong Yu-bin (Kihyun)
Written and directed by Shin Dong-seok
TRAILER & FEATURES:
GERMAN PREMIERE JANUARY 25, 2018
‘On the Beach at Night Alone’ revealed its official poster and trailer.
The new film is gaining great attention due to the fact that actress Kim Min Hee worked on another production with director Hong Sang Soo, the controversial man behind her affair rumors.
Back in 2015, Kim Min Hee worked with Hong Sang Soo for the first time in the film, ‘Right Now, Wrong Then’. ‘On the Beach at Night Alone’ marks their second production together, and the film has also been invited to the 67th ‘Berlin International Film Festival’ taking place on February 9. Many are curious to find out whether or not the couple will be making a public appearance together at the upcoming event.
From PARK Chan-wook, the celebrated director of OLDBOY, LADY VENGEANCE and STOKER, comes a ravishing new crime drama. PARK presents a gripping and sensual tale of two women – a young Japanese Lady living on a secluded estate, and a Korean woman who is hired to serve as her new handmaiden, but is secretly plotting with a conman to defraud her of a large inheritance. Inspired by the novel Fingersmith by British author Sarah Waters, THE HANDMAIDEN borrows the most dynamic elements of its source material and combines it with PARK Chan-wook’s singular vision to create an unforgettable viewing experience. [Official Site / Facebook Page / Twitter]